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Being John Malkovich (1999)
Being John Malkovich (1999)
Being John Malkovich (1999)
Being John Malkovich (1999)
Being John Malkovich (1999)
Being John Malkovich (1999)

Film Studies

Cinema Classics Seminar:
Being John Malkovich

1999: A Good Year
Thursday, October 24, 2024, 6:30 pm to 9:30 pm  
Instructor: Amy Corbin, Ph.D., Muhlenberg College

With Being John Malkovich, Charlie Kaufman and Spike Jonze transformed a well-worn plot of unrequited love and adultery into an utterly unique puzzle film about creativity, desire, and greed. Frustrated puppeteer Craig (John Cusack) is struggling to make a living through his art and drifting apart from his wife (Cameron Diaz) when he discovers a portal that transports him into the mind of the titular actor. Soon, Craig and others are wresting control of the actor’s body to fulfill their longings—whether artistic or erotic.  

This fantastical device becomes a metaphor for seeing the world from someone else’s point of view. Sexual escapades by various characters inhabiting Malkovich’s mind ask us to consider whether intimacy is between bodies or minds, and how love turns into obsession. Other actors who show up in cameos and the layers of personalities inside Malkovich become a metaphor for the way that every person performs different identities.  

Along with its mind-bending narrative, Being John Malkovich is also a playful commentary on celebrity, humorously depicting the way that many Americans are more interested in the idea of famous people than in the art they make. Ultimately, the film is about humans always wanting more—more money, more lovers, and more life. Join us to unpack one of the most fascinating and provocative films from 1999, a landmark year for American independent film. 

Are you interested in “just” seeing this movie? Visit the public screening page here.


Cinema Classics Seminars offer an entertaining and engaging way to learn more about some of the true classics of world cinema. All students receive an introductory lecture before the film and a guided discussion after the film. In addition, those in attendance receive a ticket to see it on the big screen, as well as popcorn and a drink. Please note: the screening associated with this seminar will be open to the public, as well.

Please email BMFI Programs and Education Coordinator Jill Malcolm with any questions.

 


Course Information

$25 for members, $35 for non-members

Register

Schedule
  • Thursday, October 24 · 6:30 pm
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