November 18, 2025
Below is a complete list of Film Studies opportunities that Bryn Mawr Film Institute offered in 2017.
Art/Cinema II
The Building Blocks of the Screenplay
Cinema Classics Seminar: Alien
Cinema Classics Seminar: Aliens
Cinema Classics Seminar: Casablanca
Cinema Classics Seminar: Cries and Whispers
Cinema Classics Seminar: Elevator to the Gallows
Cinema Classics Seminar: I Confess
Cinema Classics Seminar: Marathon Man
Cinema Classics Seminar: Marnie
Cinema Classics Seminar: Pulp Fiction
Cinema Classics Seminar: Rebecca
Cinema Classics Seminar: Reservoir Dogs
Cinema Classics Seminar: The Battle of Algiers
Cinema Classics Seminar: The Godfather (I & II)
Cinema Classics Seminar: The Innocents
Cinema Classics Seminar: The Silence of the Lambs
Cinema Classics Seminar: The Wrong Man
Cinema Classics Seminar: Wait Until Dark
Cinema of Dreams: The Films of Steven Spielberg, Pt. 2
Civilization and Barbarism in Argentine Cinema
Cracking Wise and Falling in Love (Again): Screwball Comedy
Culture Wars on the Riviera: The Cannes Film Festival at 70
Dogged Defiance: Sidney Lumet
Film History Discussion Series: 1945-Present
Film History Discussion Series: 1945-Present
Film History Discussion Series: 1967
The Foundation of the Feature-Length Screenplay
Four Voices: Independent Women Filmmakers
“From Mr. Chips to Scarface”: The Legacy of Breaking Bad
Guts, Girls, and Glasses: The Daredevil Genius of Harold Lloyd
“It’s Alive!”: Monsters in Horror Cinema
Kieslowski’s Dekalog
The Language of Film
Later Kubrick
The Magic of Disney Pt. 2
Short Attention Span Cinema 2
Short Attention Span Cinema 3
Special Topic: Philosophy on Film—Alain Resnais: The Weight of Time
Stranger Than Paradise: The Films of Jim Jarmusch
Swept Away: The Films of Lina Wertmuller
“What Happened to Gary Cooper?” Masculinity and Capitalism in The Sopranos
Read course descriptions and more in BMFI’s Film Course Archive.
